George Town’s Fate, Predicted In John Clang’s Dreaming Islands Project

George Town’s Fate, Predicted In John Clang’s Dreaming Islands Project
Detail of “Nine Chairs” (2026) as part of Dreaming Islands at COEX@Kilang Besi. Photo by Ho Kae Jing, courtesy of Art Linguistics.
Detail of “Nine Chairs” (2026) as part of Dreaming Islands at COEX@Kilang Besi. Photo by Ho Kae Jing, courtesy of Art Linguistics.

DID YOU KNOW that George Town became a city on 1 January 1957 at 8.30am? It made the front page of the following day’s The Straits Times, under the headline “Penang’s Big Day—What a Day!”

The time and date for this event—this birth—were the details used for a reading in Singaporean artist and geomancer John Clang’s recent fortune-telling art project. “George Town as a person, or main character, is represented by the zi wei (紫微, King Star),” John began. “Its friend is the tan lang (贪狼, Greedy Wolf). This means that George Town is a fun city that enjoys interacting with others. Its weakness, however, is that it is too easily affected by others’ opinions.”

Goh Cheng Hao recording John Clang’s messages on “Table of Inquiry” (2026). Photo by Yu Ke Dong. Image courtesy of Art Linguistics.


John’s reading was part of the show Dreaming Islands: A Geomancy of Time, held at COEX from 8 to 12 January 2026. Curated by John’s long-time friend, art historian Michelle Lim, the show involved several com-ponents: a city-chart of George Town with live interpre-tation (“A Portrait of George Town”); a display of nine chairs arranged in auspicious positions (“Nine Chairs”); and personal readings for anyone who submitted a ques-tion (“Reading by an Artist”), hand-written on a canvas cloth (“Table of Inquiry”). The result was a highly interactive and participatory art show, which integrated art and geomancy with ideas of space and history.

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