is a writer and Mandarin-to-English translator whose work has been featured in The KITA! Podcast, adda, Strange Horizons, NutMag, Nashville Review and Guernica. You can find him on X at @HengYeh42.
Dua Darah explores identity beyond rigid racial categories, following a Malay-Chinese Muslim navigating faith, memory and duty. Intimate and layered, it opens space for difficult conversations on belonging in Malaysia.
A weekend extravaganza that brings in writers, performers, translators, publishers and readers, GTLF now boasts visitors numbering in the thousands from dozens of countries.
The exhibition “negaraku” may borrow its title from the anthem, but its version of the story hardly toes the line of official sources—each artwork offers its slice of truth, which, put together, forms a more complete picture.
GuoGuang Opera Company, formed in 1995, was the outcome of the historical development of jīng jù in Taiwan. Today, it is celebrated for its innovative approach of presenting the stories of traditional opera through a modern lens, alongside creating new scripts for performance.
What do (a) a family living in a speculative, segregated Malaysia; (b) two brothers squeezed into a Pudu flat and; (c) a woman of royalty who owns an art gallery, all have in common?
A Play Review: Material Woman in the Beauty World. Written by Leow Puay Tin, directed by Tung Jit Yang, performed by Ling Tang. Featured as part of the George Town Festival 2023.
Penang’s vibrant literary scene is home to writers, poets, translators, and more. With the George Town Literary Festival on the horizon, a spotlight falls on local talents whose works transcend genres, mediums, and languages.
In The Best of Malaysian Short Fiction in English 2010–2020, each of the 19 stories seems to answer the question of what makes a short story successful in its own way, constantly challenging and reshaping the reader’s expectations.