is a former journalist who traded her on-the-go job for a life behind the desk. For the sake of work-life balance, she participates in Penang's performing arts scene after hours.
Penang’s heritage businesses survive not by resisting change, but by evolving without losing their identity. Across generations, trust, craftsmanship and adaptability remain the foundations of their enduring relevance.
From Kelantan to New York, Zang Toi’s journey traces a couture legacy shaped by memory, ambition and reinvention. Decades on, his designs remain a dialogue between worlds—where Malaysian heritage quietly endures beneath the brilliance of the global runway.
Many parents still think quality education is the imparting of knowledge in a manner that produces excellent examination results. Others would comment that quality education is an effective, inclusive and all-round learning experience that prepares children for life.
“This exhibition healed me in some ways I didn’t realise.” “That made me feel curious, and also strangely moved. The works were never intended to heal anyone, yet in certain unnoticed moments, they had quietly kept someone company.”
Penang Monthly sits down to chat with her after she recently received the 20th BOH Cameronian Arts Awards (BCAA) Lifetime Achievement Award as recognition of her outstanding contributions to dance, music, theatre and musical theatre.
Trader’s Cave is a beauty—it made me feel like I just marched into the fortress city of Minas Tirith with giant columns lined at its mouth. After ambling and taking photos over the 200m stretch, we exited, only to be swallowed by the Great Cave.
Originating from a small village, Tenun Pahang was worn by royalty, nobles or the chief of state. It later became the gift of choice for guests of the palace, whether they were locals or from abroad.