This September, we explore Seberang Perai Selatan. Our stories cover Nibong Tebal’s Teochew heritage and sugar legacy, Batu Kawan’s evolution into a township, Penang’s waste challenges at Pulau Burung, the brackish rivers of the south, and the communities that shape the district today.
Turn yourself into a legitimate business and you’ll start seeing music not just as a creative outlet, but a business operation. You’d be surprised at how effective you (and your bandmates) can become when you start treating it that way.
This collection of ikat textiles spans the Nusantara region, with different tribal cultures and histories, from the lush rainforests of Sarawak to the stunning, exotic islands east of Bali in Indonesia.
Mangrove-based dyes have a long history across the world. Records point to their use from South America, India, Okinawa and Indonesia to Sabah by the Bajau and the Iranun ethnic groups; the practice was once widespread.
Tsue Ta Tee (崔大地) was one of the prominent calligraphers active in Penang and the region in the 1950s and ‘60s, who helped to leave this important legacy on Penang’s cityscape.
Most artisans I’ve met recognise that adaptation is necessary to keep these traditions alive. But there are also those who uphold a reverence for keeping things “pure”.
The roots of cindai can be traced back to the weft ikat technique introduced to the Malay world by Indian and Arab traders in the 14th or 15th century.
As of the end of 2024, Malaysia hosts 54 operational data centres (including two in Penang) offering a 504.8MW capacity, with Johor leading in IT capacity and Klang Valley remaining a core market.
A study by researchers from Universiti Malaysia Kelantan (UMK) highlights the resurgence of local knowledge in textile dyeing using colourants/pigments extracted from natural resources.
Born in Bombay and growing up in Karachi before moving to Malaysia (then Malaya), Lubna Jumabhoy is a teacher of the Japanese floral art ikebana, and is France’s representative in Penang.